EFS @ Hošek Contemporary, Berlin

A programme of Experimental Film Society films will be screening at Hošek Contemporary in Berlin, Germany on Thursday 5th September 2019 at 6PM.

Address: Hosek Contemporary MS Heimatland / Fisherinsel, 10179 Berlin, Germany

Facebook Event HERE

Filmmaker Matias Donoso kindly organised the screening and will be presenting the films.

The Programme:

1_Bogna Kirchoff By Chris O’Neill (2019) / 6mins / Ireland

Bogna Kirchoff takes imagery from a 1970s espionage thriller and warps the imagery into a surreal abstract film focussing on one supporting female character.

2_ Homo Sapiens Project (161-170) (2013) By Rouzbeh Rashidi / 8mins / Ireland

Rashidi’s Homo Sapiens Project (HSP) is an ongoing series of personal film experiments that range from cryptic film diaries and oneiric sketches to fully polished features. Installments 161-170 link a formally aggressive repurposing of Hollywood reels with an idiosyncratic appreciation of the wonder of science fiction.

3_Olive (2019) By Michael Higgins / 11mins / Greece – Ireland

Although clearly filmed in our time, Olive uses the scratchy beauty of hand-processed celluloid to help evoke a mood of ancient ritual. A group of people gathered in the remote countryside are absorbed into frames that often resemble the hand tinted colours and decaying textures of unrestored early cinema. Cinema is made to haunt the present like a ghostly vision from the past.

4_Brine Twice Daily (2015) By Vicky Langan / Maximilian Le Cain / 20mins / Ireland

Brine Twice Daily is a film that came from the sea, from the depths, and it never truly escapes its salt-encrusted origins. A bizarre romance that is at once an absurd comedy, a horror/adventure B-movie, a cryptic home video and a fading seaside postcard stuffed into a bottle and cast adrift on the ocean, Brine Twice Daily marks a new departure in the Langan/Le Cain filmmaking partnership.

5_The Underworld (2019) By Jann Clavadetscher / 17mins / Ireland

This hallucinatory trip through the psychedelic recesses of science fiction begins in the flickering bowels of the earth. An explorer played by Cillian Roche undergoes a bizarre mutation in which cinema itself might possibly play a part. Clavadetcsher’s gorgeous 16mm colours and dazzlingly intense editing are underscored by a characteristic lightness of touch.

6_Antler (2018) By Atoosa Pour Hosseini / 15mins / Ireland

Pour Hosseini’s work with Super-8 conjures a mysterious territory that exists between memory, subjective perception and the objective materiality of the filmed image. Antler pushes deeper into this realm, seamlessly combining archival footage of animals and reptiles in their habitats with newly filmed material of the artist and an assistant at work in a botanical garden.

Total running time: 77mins

EFS @ HIJACK!, New York

A programme of Experimental Film Society films will be screening at HIJACK!, New York City on Saturday 3rd August 2019 7pm.

Address: 18 Bleecker Street, New York City. 2nd Floor (entrance on Elizabeth Street)

More info HERE

HIJACK! is fueled by representing DIY and experimental art made by living and deceased film poets, underground artists, and living outsiders.

1_Bogna Kirchoff By Chris O’Neill (2019) / 6mins / Ireland

Bogna Kirchoff takes imagery from a 1970s espionage thriller and warps the imagery into a surreal abstract film focussing on one supporting female character.

2_ Homo Sapiens Project (170) (2013) By Rouzbeh Rashidi / 1min / Ireland

Rashidi’s Homo Sapiens Project (HSP) is an ongoing series of personal film experiments that range from cryptic film diaries and oneiric sketches to fully polished features. Installment 170 link a formally aggressive repurposing of Hollywood reels with an idiosyncratic appreciation of the wonder of science fiction.

3_Olive (2019) By Michael Higgins / 11mins / Greece – Ireland

Although clearly filmed in our time, Olive uses the scratchy beauty of hand-processed celluloid to help evoke a mood of ancient ritual. A group of people gathered in the remote countryside are absorbed into frames that often resemble the hand tinted colours and decaying textures of unrestored early cinema. Cinema is made to haunt the present like a ghostly vision from the past.

4_Brine Twice Daily (2015) By Vicky Langan / Maximilian Le Cain / 20mins / Ireland

Brine Twice Daily is a film that came from the sea, from the depths, and it never truly escapes its salt-encrusted origins. A bizarre romance that is at once an absurd comedy, a horror/adventure B-movie, a cryptic home video and a fading seaside postcard stuffed into a bottle and cast adrift on the ocean, Brine Twice Daily marks a new departure in the Langan/Le Cain filmmaking partnership.

5_Mirage (2015) By Atoosa Pour Hosseini / 4mins / Ireland

Mirage evokes a desert landscape but it is the cinematic image itself that is the mirage. Working with the material textures of Super-8 film, Mirage presents two visual planes: the captured image and the surface of the film strip itself. The relationship between these is as much one of conflict as mutual support.

6_The Underworld (2019) By Jann Clavadetscher / 17mins / Ireland

This hallucinatory trip through the psychedelic recesses of science fiction begins in the flickering bowels of the earth. An explorer played by Cillian Roche undergoes a bizarre mutation in which cinema itself might possibly play a part. Clavadetcsher’s gorgeous 16mm colours and dazzlingly intense editing are underscored by a characteristic lightness of touch.

Total running time: 59mins