Tuesday, February 27, 2018
Friday, February 23, 2018
Phantom Islands @ ADIFF
Rouzbeh Rashidi's magnificent new film Phantom Islands will premiere at Audi Dublin International Film Festival next Tuesday, February 27th. I'm proud to be associated with it as one of its producers.
"Phantom Islands is an experimental film that exists at the boundaries of documentary and fiction. Directed by Rouzbeh Rashidi, with the visual intensity that has marked him as one of Ireland’s most unique and radical filmmakers, it follows a couple adrift and disoriented in the stunning landscape of Ireland’s islands. Yet this deliberately melodramatic romance is constantly questioned by a provocative cinematic approach that ultimately results in a hypnotic and visceral inquiry into the very possibility of documentary objectivity."
To find out more about the film, visit the official webpage. To buy tickets, see this page.
Sunday, February 18, 2018
EFS @ Esto Es Para Esto, Mexico
A programme of Experimental Film Society will be screening at Esto Es Para Esto on 1st of March, 2018 in Monterrey City, Mexico.
Details of the programme:
1_La Picota (2018) by Ana González / 3 minutes / Colombia
2_Universal Film (2018) by Jann Clavadetscher / 3 minutes / Ireland
3_Homo Sapiens Project (161-170) (2013) by Rouzbeh Rashidi / 8 minutes / Ireland
4_The Family Vault of James Hyland (2017) by Michael Higgins / 14 minutes / Ireland
5_Play Ground (2017) By Vicky Langan/Maximilian Le Cain / 16 minutes / Ireland
6_Refining the Senses (2017) By Atoosa Pour Hosseini / 13 minutes / Switzerland-Ireland
Total running time: 58 Minutes
Sunday, February 04, 2018
FILM PANIC 5
It would be a thrill to be included in any issue of the brilliant and inspiring Film Panic. But the latest edition of this Underground Film Studio publication, which contains my opinionated ramble A Few Thoughts on the Moving Image, is something even more special in that it gathers the research of previous issues to intriguingly propose the existence of a 'new visionary cinema' in today's underground filmmaking. The article in which editors Daniel Fawcett and Clara Pais state this case is a must-read.
Full details here.