Enclave Review 14
The new issue of Enclave Review, a contemporary arts review sheet based in Cork, is being launched this evening.
Contents:
Rory Prout on ‘Grace Weir: 3 Different Nights’ at IMMA, Dublin
Fergal Gaynor on ‘Marcel Broodthaers: Retrospective’ at MoMA, New York
Michaele Cutaya on ‘Mark Curran: The Economy of Appearances’ at Limerick City Gallery
Catherine Harty on ‘Everything Must Go’ at the Glucksman, Cork
Sarah Kelleher on ‘Susan Philpsz: War-Damaged Instruments’ at Tate Britain and ‘Fabio Mauri: Oscuramento’ at Hauser and Wirth, London
Martha Hegarty on ‘Richard Proffitt: Hold The Candle To Your Eye / Light The Criss-Cross On Your Chest’ at the Sirius Arts Centre, Cobh
Kirstie North on ‘Hybrid Ireland’ at Letterkenny Regional Cultural Centre
Rebecca O’Dwyer on ‘George Bolster / Damian Doyle: Amazement Insulates Us All / Memento Vivere’ at The Lab, Dublin
Leah Reynolds on ‘Agnes Martin: retrospective’ at Tate Modern, London & Kunstsammlung Nordrhein Westfalen, Düsseldorf
Paul Hegarty on ‘Mark Wallinger: ID’ at Hauser and Wirth, London
Larry List on ‘Tom Hackney: Corresponding Squares’ at Francis Naumann Fine Art, New York
Special section on Experimental Cinema edited by Maximilian Le Cain:
Daniel Fitzpatrick & Alice Butler on ‘Collectivism: Screening the Collective’
Maximilian Le Cain on ‘Juan Carlos Gallardo: 90 Years without Sleep’ at The Guesthouse, Cork
Gianluca Pulsoni on ‘Marc Karlin: Frament d’un oeuvre’ at États généraux du film documentaire, Lussas
Alice Butler on ‘Atoosa Pour Hosseini: Mirage’ at Artbox, Dublin