Wilderness Notes
Over the past few months, Vicky Langan and I have been dropping hints and leaking the occasional image of an upcoming Western we made together. I'm now delighted to reveal the full context of the exciting project our film is part of...
Kirkos Ensemble and the Experimental Film Society are proud to present Wilderness Notes, an exciting collaboration bringing together two of Ireland’s most innovative contemporary arts groups from the fields of music and film.
Wilderness Notes will feature premieres of 3 new films by EFS filmmakers Rouzbeh Rashidi, Maximilian Le Cain and Vicky Langan, and Atoosa Pour Hosseini, created in tandem with new compositions by young Irish composers Barry O’Halpin, Seán Ó Dálaigh, and Robert Coleman which will be performed live by the Kirkos Ensemble.
The three films that comprise Wilderness Notes all explore psychic, territorial and technological margins. Isolated characters, all somehow locked into masks or fixed personae, navigate desolate zones between dimensions where a sense of being physically adrift and at risk is mapped onto a corresponding inner state. But they are not only adrift in space, they are equally adrift in time. Making experimental use of several outdated moving image formats, notably Super-8 and VHS, Wilderness Notes summons up ghosts from an abandoned future, taking its cues from the western, the nightmare of nuclear holocaust and the masks of ancient theatre.
All three of Wilderness Notes’ musical compositions were written to complement EFS’s filmmaking approach. Barry O’Halpin’s is derived from the electromagnetic spectra of 5 chemical elements, resulting in an ethereal and almost alien set of harmonies and moving parts, while Seán Ó Dálaigh pits the ensemble against undulating sine waves and introduces an element of choice into structural repetitions to create a vibrant microtonal universe. In contrast, Kirkos co-director Robert Coleman’s contribution is a song cycle, setting poetry by American poet Morri Creech for voice, ensemble and electronics, examining the states of consciousness that flash beneath the waking mind.
For Wilderness Notes the Kirkos Ensemble will be Miriam Kaczor[flute], Leonie Bluett [clarinet], Máire Carroll [piano], Jane Hackett, Cillian O Breacháin [violins], Nathan Sherman [viola], Yseult Cooper Stockdale [cello], Barry O’Halpin [electric guitar] and Sarah Thursfield[voice].
The collaboration marks a new frontier in the experimental filmmaking and contemporary music scenes in Ireland, combining both groups’ radical approach to presenting their art and engaging with audiences in challenging and refreshing ways.
September 1st & 2nd, Filmbase, Dublin
Wilderness Notes is presented by Kirkos Ensemble and the Experimental Film Society, with support from Ensemble Music and Filmbase, and is funded by Arts Council Ireland.
Book tickets here.
Kirkos Ensemble and the Experimental Film Society are proud to present Wilderness Notes, an exciting collaboration bringing together two of Ireland’s most innovative contemporary arts groups from the fields of music and film.
Wilderness Notes will feature premieres of 3 new films by EFS filmmakers Rouzbeh Rashidi, Maximilian Le Cain and Vicky Langan, and Atoosa Pour Hosseini, created in tandem with new compositions by young Irish composers Barry O’Halpin, Seán Ó Dálaigh, and Robert Coleman which will be performed live by the Kirkos Ensemble.
The three films that comprise Wilderness Notes all explore psychic, territorial and technological margins. Isolated characters, all somehow locked into masks or fixed personae, navigate desolate zones between dimensions where a sense of being physically adrift and at risk is mapped onto a corresponding inner state. But they are not only adrift in space, they are equally adrift in time. Making experimental use of several outdated moving image formats, notably Super-8 and VHS, Wilderness Notes summons up ghosts from an abandoned future, taking its cues from the western, the nightmare of nuclear holocaust and the masks of ancient theatre.
All three of Wilderness Notes’ musical compositions were written to complement EFS’s filmmaking approach. Barry O’Halpin’s is derived from the electromagnetic spectra of 5 chemical elements, resulting in an ethereal and almost alien set of harmonies and moving parts, while Seán Ó Dálaigh pits the ensemble against undulating sine waves and introduces an element of choice into structural repetitions to create a vibrant microtonal universe. In contrast, Kirkos co-director Robert Coleman’s contribution is a song cycle, setting poetry by American poet Morri Creech for voice, ensemble and electronics, examining the states of consciousness that flash beneath the waking mind.
For Wilderness Notes the Kirkos Ensemble will be Miriam Kaczor[flute], Leonie Bluett [clarinet], Máire Carroll [piano], Jane Hackett, Cillian O Breacháin [violins], Nathan Sherman [viola], Yseult Cooper Stockdale [cello], Barry O’Halpin [electric guitar] and Sarah Thursfield[voice].
The collaboration marks a new frontier in the experimental filmmaking and contemporary music scenes in Ireland, combining both groups’ radical approach to presenting their art and engaging with audiences in challenging and refreshing ways.
September 1st & 2nd, Filmbase, Dublin
Wilderness Notes is presented by Kirkos Ensemble and the Experimental Film Society, with support from Ensemble Music and Filmbase, and is funded by Arts Council Ireland.
Book tickets here.
posted by Maximilian Le Cain at Tuesday, July 25, 2017
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